Good evening. Good evening. I should think so. Good evening to yourself. Well it's ah, it's more than a pleasure to be back in this area again. In fact, it;s more than a pleasure to be back in America generally. We tonight, we intend to initially have a really good time, as that is the essence of keeping a group together, and we'd like to included you too, by enjoying it. We intend to cut across, a crossection of the music we've managed to get together since 1968. This includes some of the raunchy stuff, some of the cool stuff, in fact, what we consider to be a complete good deal. Starting with perhaps a song about a dream.

Thank you very much. Well ah, that was something old, and let me tell you a story. Oh, it's been quite a long time since Houses of the Holy came out and we finally managed to get together a double album called Physical Grafitti, which ah, so to write some new material, in fact it's pooring out of us every single day, and we're gonna play some of the stuff that ah, is on this album. I don't know whether you've been able to hear it through the FM radio yet, have ya? Any new stuff yet on the radio? Is that a yes or a no? Well this is one of the tracks anyway. It takes us back almost to what you might call, our roots.

Thank you very much. Well that was a new one, which we're finding more enjoyable by the day. Well ah, apart from the new ones, we do of course, have some albums that came out in previous years, and this is a track from one of them. IT relates to ah, to the wander lust we've been having from the travelling around to the different countries of the world, and ah, and the fact that all the different people, that we meet from the different countries, Thailand, and Hong Kong, Quwait, and all sorts of places, we always find that relatively, in the end that, through all the barriers, the social barriers, even for our friend in the second row who's asleep with his arms folded, The Song Remains the Same.

Thank you. That featured ah, and second of all we're gonna do another new thing. This features again, the magical, mystical fingers of John Paul Jones playing mellotron, John Paul Jones. We couldn't get Liberace. As we were talking about all the influences of travel, this is one of them. A track called Kashmir.

John Paul Jones, orchestra. Isn't it amazing what a small guy can do? Well ah, we seem to be warming up in here. How are you getting on down there? This ah, this next song is relative to a journey that really isn't such a good one, in fact, it's a song called No Quarter.

John Paul Jones piano, Jimmy Page guitar. Right, we said we were gonna include some new stuff. This is another one of those very 1975, is that what it is, 1975? This is a 1975 song. It's relative to the efficiency of the motor car, but in fact a motor car is relative to the efficiency of the human body, and the human body is relative to pleasure, and so this is called Trampled Underfoot.

Ultra precise movements of one of the finest precussionists ever to join Led Zeppelin. Ladies and gentlemen, children of the sun, direct from Monty Python's Flying Circus, in two seconds you will witness one of the most amazing experiences. Our precussionist, not Karen Carpenter, but John Bonham. Moby Dick.

John Bonham. John Bonham. The man with only two cavities. John Henry Bonham, Moby Dick. Now we've ah, gone so far down below, and we've covered some of the mellow stuff,some of the new stuff. ah We're having a good time, how bout you? At this point, over to Mr. John Paul Jones. So we take things back to the beginning, a long long time.

Jimmy Page lead guitar. Well that was one from when we were all teenagers, remember that? Here's one from, from.

We'd like to thank you for being. Good night.

Thank you very much. Good evening.

Thank you very much. It's been fantastic. We'll see you again. Thank you.