Good evening New York. It's a great pleasure to be back for a fourth night. Wonderful. On the eve of the New York Cosmos soccer game as well. What about that? You've heard of them, ain't ya? What's this, brighter football week? OK, we're sorry we're late, but welcome to the midnight movie. I guess we're gonna play, and play, and play, and play, and play.

Well that was ah, something off the last new album we managed to press. PResence. This one goes back a little bit before that, but it's in the same mold as a blues that owes a little bit more to your country than ours.

You know it feels pretty good up here? I hope there's no connotations in this, but that towel smells of vinegar. Right, this is an English ah, more English rooted song. It goes like this.

Jimmy Page guitar there. This next piece features Jonesy, John Paul Jones on piano. It's called No Quarter.

John Paul Jones piano. John Paul Jones. John Paul Jones heineken. This next piece is ah, a piece that came after an amount of contemplations when we were rehearsing. It employs Jonesy using a three necked instrument, which saves him getting up and having too many heinekens behind the equipment, you see? It's a song about a love that could have been good, but went by the wayside. It's called Ten Years Gone.

Thank you. This is a, this is what we used to call, way back in 1971, an acoustic set, but be shaken not. We wait with baited breath the arrival of the , our precussionist who's enjoying a heineken, John Henry Bonham. John Bonham. Who's now gonna record his heartbeat.

John Paul Jones sang on that song. First time in nine years. I'm sorry Raymond, you forgot your cigarette.

It's terribly hard. Thank you. This next piece features ah, brings Jonesy out on a standup, upright heineken.

John Bonham. John Henry Bonham. John Heineken Bonham.

Good night